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It probably wasn’t a $600 fish head soup, though. In the liner notes of the 1996 reissue of the first Barnes & Barnes album, Voobaha, Mumy writes that Haimer came up with the idea for the song after experiencing the infamous meal. Voobaha, the first Barnes & Barnes record. It was a sort of side project for channeling a “certain type of energy,” as he would later write in the liner notes to most of the Barnes & Barnes album reissues. In between acting gigs, he pursued music and associated with the likes of Gerry Beckley from the folk rock group America.ĭuring more manic times from the age of 16 onward, he comprised one half of a strange musical duo called Barnes & Barnes, with his friend Robert Haimer. (Remember the kid who magically wished people into “the cornfield?” That was Mumy.) Much later, he became better known for his portrayal of Lennier in Babylon 5 and had bit parts in Star Trek: Deep Space Nine. But it’s also the product of a musical vessel well-suited to making songs inspired by disgusting meals at Chinese restaurants.īill Mumy was a child actor known for his iconic roles in Lost in Space (as Will Robinson) and The Twilight Zone. The story of “Fish Heads” was inspired by a disgusting meal at a Chinese restaurant. It affords these individuals an occasion for direct response to their cultural context.( ginnerobot/Flickr) Sometimes a bad meal at a restaurant can turn into something legendary The PCAS thus offers an opportunity for the coming together of scholars from colleges, universities, community colleges, and the general public, who have something worthwhile to say on matters involving mass society. Its journal, Studies in Popular Culture, is a firmly established academic publication, and scholars working with topics in popular culture are invited to submit papers for consideration. Young and diverse, this energetic organization has brought together scholars who share an interest in inquiring into all sorts of mass phenomena through a wide variety of disciplines and approaches.
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Its activities are financed by conference registration fees and sponsoring institutional support. Members of the organization come primarily from Alabama, Arkansas, Florida, Georgia, Kentucky, Louisiana, Mississippi, Missouri, North Carolina, South Carolina, Tennessee, Virginia, Washington, D.C., and West Virginia. The PCAS, organized in 1971, is the largest, and from the view of those who have visited several regional meetings, the most thriving of the regional associations. Its contributors, from the United States, Australia, Canada, China, England, France, Israel, Scotland, and Spain, include distinguished anthropologists, sociologists, cultural geographers, ethnomusicologists, historians, and scholars in mass communications, philosophy, literature, and religion. Studies in Popular Culture publishes articles on popular culture however mediated: through film, literature, radio, television, music, graphics, print, practices, associations, events-any of the material or conceptual conditions of life. Formerly triannual, the journal has spun off what was its third issue to become the Popular Culture Association in the South's second journal, Studies in American Culture. Studies in Popular Culture is published biannually, with one issue appearing in the fall and one in the spring. The editor invites the submission of articles dealing with any aspect of American or international, contemporary or historical, popular culture. Studies in Popular Culture is the refereed journal of the Popular Culture Association / American Culture Association in the South.