But he is quickly confronted by the reality of the situation, a line that he will not cross. When Lewis comes into town, he starts taking care of his business. However, when things go sideways during an operation, the case is blown up, though Serra still tries to do right by one of the victims, a young girl named Beatriz (Mia Sanchez). His task force compatriots are Linda (Taj Atwal) and Hugo (Harold Torres), operating under the leadership of Gerald Nussbaum (Ray Fearon). Still, he reluctantly takes on another job, this one in his hometown of El Paso.Īt the same time, FBI Agent Vincent Serra (Guy Pearce) is working on a human trafficking case. He’s still very good at what he does, but he is struggling with early onset dementia his memory is going fast and he won’t be able to hold off the deterioration with medication for much longer.
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There’s a basic competence at work here, both behind and in front of the camera, but the paint-by-numbers plotting and the unsavory subject matter make it tough to give this film anything more than a shoulder shrug.Īlex Lewis (Liam Neeson) is an elite assassin, the type of guy that bad people pay to make their problems go away.
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(Seriously – how many times have you seen this movie?)īut while I’ll concede that this movie is superior to other recent entries on Neeson’s old-man CV (like “Blacklight,” which you’ll be shocked to be reminded came out less than three months ago – or at least, I was shocked), it’s still not anything like a good movie. He uses his talents to protect himself, yes, but also to do right by a powerless person who has suffered at the hands of someone at the elite levels of money and power. He’s a guy with a certain set of skills who is thrust into a situation that spirals out of his control. The latest in the seemingly unending line of movies where Liam Neeson seeks vengeance and/or justice is “Memory,” directed by Martin Campbell the screenplay was adapted by Dario Scardapane from the 2003 Belgian film “The Memory of a Killer.” Neeson’s a bad guy this time, although in these circumstances, he’s on the right side ethically, if not necessarily legally. It’s more of a fascination, the idea that these movies, despite being the very definition of formulaic, somehow keep getting financed and distributed in movie theaters nationwide. Though I should be clear, I don’t exactly like them either. Now, I don’t mean to imply that I dislike these movies. Mostly because if you’ve seen one, you’ve seen ‘em all.
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Most of the time, it feels like if you’ve seen one, you’ve seen ‘em all. Few things give me movie critic déjà vu quite like reviewing a Liam Neeson geriaction movie.